![]() How many 1’s and 0’s should be read as the data for one pixel? Is this image color or black and white? What are the dimensions of the image? Usually codecs also compress an image, making tradeoffs between data size and image quality, deciding which data is unnecessary and can be thrown away. A codec is a program that can tell the computer how to interpret this data. As we enter the age of machine learning and artificially intelligent cameras, researchers and activists like Joy Buolamwini show how algorithms can encode racial bias.Ī digital image is really just a sequence of 1’s and 0’s representing the brightness value of each pixel (or of the brightness of individual RGB channels in a color image). Consumers complained that HP webcams could not recognize faces with dark skin. Polaroid was sued for making cameras that would help the apartheid South African government surveil dark skin people. Godard famously refused to use Kodak stock. The MPEG LA officeįor example, Kodak stocks and later the JPEG algorithm were engineered around white skin tones. Digging into, breaking, re-appropriating these technologies gives us new ways of understanding the ways gender, class, and race are operative within the technologies we use, and allow us to think more critically about our relationship to the economic interests that structure the environment of media production. We work in a medium that is defined by technologies which are often developed by multi-national corporations and governments. If your storage drives fail on set and you need to switch to a more compressed format, which will you choose? Kid CudiĪs an editor, cinematographer or director, a deep understanding of how video compression works will only help the decisions you make on set and in post. GLI.TC/H, Takeshi Murata, Hito Steyerl and more!Įxperimental techniques always find their way into narrative and commercial filmmaking and can be effective storytelling tools. The 1000000th interval (The 64th interval) The Sandin Image Processor and Phil Morton‘s Colorful Colorado breaking the expected / intended use (subversion of the consumerist logic of these media). ![]() a way of understanding and exploiting the materiality of analog & digital media.introduction of impersonal chance operations, or randomness into the creative process.Watch excerpt from Anyplace // Artist: Ryan Patrick MaguireĪrtist James Connolly lists few elements of a working, provisional definition of glitch: Learn more about how video technology workĮxplore new critical perspectives on video technologyĮxplore some new creative tools, modes of media practice If you’d like to follow along for the demonstration portion you’ll need to download a few things:Ī hex editor like Hex Fiend (mac) or HxD (Windows).Īudacity an open source audio editing software This class will be divided into two parts: a lecture & discussion about a variety of media practices that come under the broad heading of “glitching” followed by a demonstration of a few glitching techniques.
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